Eggleston pioneered color documentary photography of everyday American landscapes and suburban environments in the 1970s, using chromogenic dye transfer prints to capture mundane scenes of the American South with the same matter of fact directness Shore brings to Grand Prairie, Texas.

Sternfeld's large format color photography documents ordinary American landscapes and roadside scenes with a quiet observational quality that closely mirrors Shore's approach to capturing the specific textures and light of everyday American places.

Adams photographed the American West and suburban sprawl with a documentary precision and contemplative stillness that parallels Shore's deadpan color landscape work, both artists treating unglamorous American terrain as worthy of serious photographic attention.