Roman Blues I, painted in 2015, presents Eamon Ore-Giron's distinctive geometric language in full force, deploying Flashe vinyl paint on linen to achieve surfaces of exceptional flatness and chromatic intensity. The work belongs to a body of practice in which Ore-Giron draws from Pre-Columbian visual traditions, Andean textile patterning, and the hard-edge abstraction of mid-twentieth-century Latin American modernism, synthesizing these sources into compositions that feel simultaneously archaeological and urgently contemporary. The matte, velvety quality of Flashe suits his intentions precisely, suppressing illusionistic depth while allowing individual hues to assert themselves with quiet authority across the generous 167.6 by 142.2 centimeter field. The title's pairing of a European classical reference with a percussive color term is characteristic of Ore-Giron's layered approach to cultural meaning, where geometry becomes a site of cross-cultural dialogue rather than purely formal exercise. Cool, saturated blues anchor the composition while contrasting tones activate the intervals between repeated motifs, producing a visual rhythm comparable to musical structure, an analogy the artist has embraced explicitly in his broader practice. The work was executed the same year Ore-Giron was gaining significant critical attention, placing Roman Blues I at a pivotal moment in his development. Offered through Fleisher/Ollman, the canvas is signed and presented unframed, allowing the collector the opportunity to consider presentation suited to a specific interior context. Works of this scale and medium from Ore-Giron's mid-decade output are relatively uncommon on the secondary market, reinforcing the significance of this acquisition opportunity for those tracking geometric abstraction with a strong conceptual and diasporic foundation.