Infinite Regress LXVI draws the eye into a hypnotic field of geometric precision, where Eamon Ore-Giron's signature interlocking forms radiate outward across a warm linen ground in vivid Flashe paint. The composition belongs to the artist's ongoing Infinite Regress series, a body of work that synthesizes pre-Columbian visual traditions, psychedelic color theory, and the formal logic of abstraction into something entirely its own. Working in Flashe, a vinyl-based medium known for its flat, luminous finish, Ore-Giron builds surfaces that feel simultaneously ancient and urgently contemporary, each chromatic decision amplifying the next in a carefully calibrated sequence. At 175.3 by 137.2 centimeters, the work commands substantial physical presence, enveloping the viewer in its rhythmic patterning in a way that smaller works in the series cannot. The scale encourages the kind of sustained looking that rewards attention, as relationships between colors and forms shift depending on where the eye lands and how long it lingers. Ore-Giron's practice draws meaningfully on his Peruvian and Irish heritage, and across the Infinite Regress series he engages the geometry of Andean textiles and cosmological diagrams not as quotation but as living formal vocabulary. This signed 2019 canvas is presented by Nina Johnson and represents a strong example from one of the most critically considered periods of Ore-Giron's career, coinciding with his increasing recognition through major institutional exhibitions and acquisitions. For collectors drawn to painting that holds genuine conceptual weight alongside visual pleasure, Infinite Regress LXVI offers both in abundance. The unframed condition allows the buyer full latitude in presentation, and the linen support takes on additional character at the edges, reinforcing the handmade quality that anchors the work despite its graphic clarity.