Infinite Regress XLV presents a compact yet commanding composition in Flashe on linen, completed by Eamon Ore-Giron in 2018. Working within a palette drawn from pre-Columbian visual traditions and geometric abstraction, Ore-Giron arranges interlocking forms with a precision that reads simultaneously as ancient and thoroughly contemporary. The matte, velvety surface quality of Flashe lends the work an almost ceremonial flatness, reinforcing the sense that these shapes carry cultural and cosmological weight beyond pure formalism. At just 25.4 by 20.3 centimeters, the painting rewards close attention, functioning as an intimate object that pulls the viewer into sustained looking. This scale is characteristic of Ore-Giron's smaller works within the Infinite Regress series, where the compression of space intensifies the optical push and pull between figure and ground. The series as a whole draws on cumbia record sleeve design, Andean textile patterns, and the hard-edge painting lineage, and this individual canvas distills those references into something both rigorously controlled and quietly alive. Ore-Giron, who is based in Los Angeles and has exhibited widely across the United States and internationally, has built a practice rooted in the idea that geometric abstraction holds the capacity to encode identity, memory, and diasporic experience. Signed by the artist and offered through Fleisher/Ollman, Infinite Regress XLV represents a focused and collectible entry point into a body of work that has attracted serious critical and institutional attention. The unframed presentation allows collectors to consider the object on its own terms before making decisions about how best to situate it within a collection.