Infinite Regress XCIII is a compact and precisely realized work in Flashe on linen, completed by Eamon Ore-Giron in 2019 as part of his ongoing series that draws on geometric abstraction, pre-Columbian visual traditions, and the structural logic of pattern and repetition. At just 40.6 by 30.5 centimeters, the painting rewards close attention, its matte surface and the particular opacity of Flashe vinyl paint lending the composition a graphic clarity that sits somewhere between ancient textile design and modernist hard-edge painting. The intimate scale does not diminish the work's ambition; rather, it concentrates the visual energy into a field that feels both tightly controlled and cosmologically open. Ore-Giron, who is based in Los Angeles and has developed a significant international profile through residencies, institutional exhibitions, and sustained critical attention, uses the Infinite Regress series to investigate how geometric forms can carry cultural memory without collapsing into illustration or pastiche. The Roman numeral designation of this particular work, XCIII, signals its place within a sustained and methodical inquiry, one that unfolds across many canvases and resists resolution. The decision to work on linen rather than canvas adds a material warmth and textural subtext to what might otherwise read as purely optical or diagrammatic. For collectors, this work represents an opportunity to acquire a signed example from one of the more rigorously conceptual painters working in geometric abstraction today. Currently available through Nina Johnson, Infinite Regress XCIII offers both aesthetic presence and intellectual depth, functioning beautifully as a discrete object while also serving as an entry point into a larger, evolving body of thought.