Hicks combines conceptual rigor with textile and fiber art techniques, creating works that elevate traditional craft into fine art inquiry much like Boetti's embroidered panel. Her exploration of structure and repetition in woven and stitched materials mirrors the conceptual textile approach of this piece.

Mukherjee elevated fiber and textile into sculptural conceptual art, treating thread and fabric as vehicles for deep formal and philosophical exploration similar to Boetti's approach. Her work blurs the boundary between craft and conceptual fine art in a manner directly comparable to this embroidered piece.

Albers treated weaving and textile work as a serious conceptual and visual art practice, investigating formal principles through thread and fabric mounted for gallery presentation. Her elevation of embroidery and weaving into conceptual inquiry closely parallels the intellectual and material approach Boetti employs in this work.