Weiner similarly fuses language and visual form in conceptual works where words and letters become the primary aesthetic material, exploring how text functions as both sound and image on a flat surface.

Kawara shares Boetti's obsessive systematic approach to inscribing language and notation onto paper and canvas, creating works where geometric structure and conceptual rigor govern the visual organization of text and symbols.

Blank works extensively with ballpoint pen on paper to produce dense fields of script and mark making that investigate the visual and acoustic properties of written language, closely paralleling Boetti's exploration of letters as both sound and form.