Mai Trung Thứ was a Vietnamese artist who similarly depicted tender, intimate scenes of mothers and children with a lyrical figurative style blending Eastern sensibility with Western technique. His works share the same warm humanistic portraiture quality and cultural intimacy found in Lê Phổ's painting.

Mary Cassatt devoted much of her career to painting intimate mother and child subjects in oil on canvas with a deeply humanistic and emotionally warm figurative approach. Her focus on the tender bond between mothers and children directly parallels the subject matter and intimate portraiture style of this specific work.

Vu Cao Dam was a Vietnamese figurative painter who frequently explored intimate domestic subjects including maternal themes with a painterly softness and humanistic warmth very close to Lê Phổ's style. Both artists trained in a similar tradition and shared a focus on portraiture rooted in Vietnamese cultural sensibility expressed through Western oil painting technique.