Danh Vo's *This work is number 7 from an edition of 12.* consists of two Japanese Imari octagonal ceramic plates, their ornate decorative heritage imbued with the conceptual weight of seriality and reproduction. By foregrounding the edition number as the work's sole title, Vo collapses the distinction between the artwork and its documentary record, questioning notions of uniqueness and authenticity. The delicate craftsmanship of the Imari porcelain exists in quiet tension with the cold, bureaucratic logic of limited-edition production.