Rubix 20mg is a work that sits at a fascinating intersection of Hirst's pharmaceutical obsessions and the pixelated, grid-based visual logic that defines Invader's practice, even as it is attributed solely to Hirst and executed in his signature household gloss on canvas. The title fuses 'Rubik' — the iconic colour-grid puzzle — with a pharmaceutical dosage notation, collapsing the playful geometry of the toy into the clinical language of medicine and suggesting that solving life's puzzles may itself be a form of self-medication. Hirst's use of household gloss, deliberately mundane and industrial, reinforces his long-standing critique of the fine-art object's elevated status while creating surfaces of startling optical intensity. The grid structure implicit in the Rubik's Cube reference aligns the work visually with both his own spot paintings and the 8-bit tile logic of Invader's street installations, creating a conceptual echo across the Triple Trouble collaboration even within a solo piece. At its core, Rubix 20mg asks whether order — visual, pharmaceutical, or psychological — is a solution or merely a more aesthetically pleasing form of the original problem.