Invaded Palette Colour Chart stands as a centerpiece of the Triple Trouble collaboration, merging Damien Hirst's iconic spot painting language with Invader's pixelated, tile-inspired aesthetic into a single hybrid visual statement. Executed in mixed media on canvas, the work layers Hirst's precisely ordered colour field grid with Invader's blocky, 8-bit mosaic logic, creating a dialogue between analogue painterly tradition and digital visual culture. Hirst's signature colour charts — clinical, systematic arrangements of hued circles — are here 'invaded,' disrupted and gamified by the pixelated intrusions that are Invader's trademark street intervention. The result is a commentary on artistic territory and creative colonisation, asking what happens when two radically different visual systems occupy the same surface. Thematically, the title is a declaration: the palette — a symbol of fine art mastery — has been claimed by the streets, blurring the boundary between gallery institution and urban intervention.