Turrell's immersive light installations similarly manipulate perception and vision through layered optical experiences, using light as a primary material to challenge how viewers understand space and seeing.

Kruger combines photographic imagery with constructed materials and layering techniques to create contemporary mixed media works that interrogate perception and the politics of looking, closely mirroring Thomas's conceptual photographic approach.

Simpson blends chromogenic photography with mixed media constructions to explore identity and perception, creating layered visual works that share Thomas's interest in using photographic processes alongside contemporary materials to shape how viewers engage with the image.