Oehlen shares Succo's fusion of raw gestural paint handling with slick industrial surface materials, combining oil with lacquer and resin to create canvases that feel simultaneously aggressive and seductive. His dark palette and charged abstract compositions carry the same visceral physicality found in Bitemark to the Chin.

Butzer works within the same German gestural abstraction tradition as Succo, deploying explosive brushwork and a raw emotional intensity that mirrors the charged aggression embedded in this piece. His thickly worked canvases share the same oscillation between violence and allure that defines Succo's surface language.

Rees combines unconventional industrial finishes with gestural mark making on canvas, producing works whose material tension between slick lacquered surfaces and raw paint application closely mirrors Succo's hybrid technique. His work similarly asserts a total physical presence through the deliberate interplay of opposing surface qualities.