Dumas shares Tuymans' approach to figurative painting with muted, unsettling palettes and psychologically loaded imagery that questions representation and identity. Her oil works similarly explore uncomfortable themes of legitimacy, otherness, and human vulnerability through loose, painterly handling.

Rauch employs a similarly subdued and eerie figurative language in oil on canvas, constructing ambiguous narratives that resist clear interpretation. Like Tuymans, his work operates through pictorial tension and a deliberately muted tonal range that evokes psychological unease.

Doig works in oil on canvas with a figurative approach that similarly balances representational imagery against atmospheric ambiguity and emotional distance. His layered, contemplative surfaces and interest in memory and representation align closely with Tuymans' painterly concerns in this triptych format.