A masterwork of early seventeenth-century printmaking, this fine and rich impression showcases Bellange's distinctive Mannerist sensibility through the intimate scene of the Virgin and Child accompanied by an angel. Rendered in a sophisticated combination of etching and engraving, the composition demonstrates the artist's characteristic elongated figures and theatrical elegance. This scarce second state, before the address of Le Blond, retains exceptional tonal depth and survives on period paper bearing a partial Large Grapes watermark.