A vast expanse of painted board becomes a cosmic field through Kher's meticulous application of thousands of bindis, the traditional South Asian forehead adornments she has long used as a central motif in her practice. The repetitive yet varied placement of these dots creates a shimmering, almost celestial surface that oscillates between the deeply personal and the universal. The work's title evokes a sense of urgency and threshold, suggesting a critical moment suspended in time.