A large-scale oil on linen painting, Raúl Cordero's work draws its conceptual foundation entirely from its title, asserting its physical equivalence to Lucian Freud's monumental 1994 figurative masterpiece. The canvas exists as a self-referential object, where the artwork's identity is defined not by its visual content but by its relationship to another work's dimensions. Through this gesture, Cordero explores ideas of representation, institutional value, and the invisible frameworks that give art its meaning.