Although, (with one set of perspective) invites the viewer into a layered exploration of perception and materiality, as Carter combines acrylic, colored pencil, and gel with the unexpected intimacy of synthetic hair and paper on canvas. The work challenges singular ways of seeing, suggesting that perspective is never fixed but always contingent on what lies beneath or beyond the surface. Through this accumulation of media, Carter constructs a visual tension between the tactile and the illusory, prompting a quiet reckoning with how we choose to look.