Zilia Sánchez Domínguez's *Topología (serie Amazona)* features a stretched canvas that the artist has shaped and manipulated into a sculptural, three-dimensional form, blurring the boundary between painting and object. Painted in soft, monochromatic tones, the undulating surface evokes the contours of the female body, referencing themes of femininity, sexuality, and identity. The work exemplifies Sánchez's signature practice of transforming the canvas itself into an expressive medium, merging minimalist aesthetics with deeply personal and feminist iconography.