Fenton was a pioneering British photographer who documented architectural subjects including cathedrals and abbeys with the same reverent attention to tonal detail and structural clarity seen in Evans' work. His wet collodion photographs of medieval English religious buildings share the documentary seriousness and luminous monochrome quality of this lantern slide.

Frith dedicated much of his photographic career to systematically documenting British architectural heritage including Gothic cathedrals and Norman doorways, producing richly detailed monochrome images with comparable tonal depth and documentary intent. His meticulous approach to capturing stone carvings and architectural ornament closely parallels Evans' treatment of the Prior's Door.

Marville was one of the foremost architectural photographers of the nineteenth century, celebrated for his precise and atmospherically rich monochrome documentation of historic Gothic and medieval structures in France. His sensitivity to light falling across carved stonework and his commitment to fine art documentary photography align closely with Evans' approach in this image.