Braun produced meticulous large format photographs of European cathedral interiors and Gothic architectural spaces in the same Victorian era, sharing Evans's precise attention to available light filtering through stone vaulting and sacred geometry.

Fenton was among the earliest British photographers to systematically document cathedral and abbey interiors, employing long exposures and careful compositional framing of Gothic architectural details that closely parallels Evans's contemplative documentary approach.

Le Secq created extraordinarily sensitive calotype and early photographic studies of Gothic cathedral interiors and stonework, capturing the spiritual atmosphere and architectural complexity of sacred spaces with a tonal richness deeply comparable to Evans's work.