Seurat pioneered the Pointillist and Divisionist technique that Luce directly adopted, and his pastoral landscape works like those painted at Grandcamp share the same luminous color dot application, peaceful rural subjects, and carefully constructed natural compositions visible in this rolling countryside scene.

Signac was a close collaborator with Luce within the Neo-Impressionist circle and applied the same Divisionist color theory to his landscape paintings, building vibrant green and yellow pastoral scenes through systematic brushwork that closely mirrors the technique and luminous outdoor mood of this Moulineux landscape.

Van Rysselberghe was a leading Neo-Impressionist who applied Divisionist methods to lush rolling European landscapes, producing peaceful pastoral oil paintings with the same systematic color dot technique, verdant green palettes, and serene undulating countryside compositions that define this work by Luce.