A haunting and intimate work rendered in soft pastel on paper, Kahrs depicts a figure seen from above in a state of stillness that hovers ambiguously between sleep and death. The muted, blended tones characteristic of the medium lend the composition a hazy, dreamlike quality, while the unusual overhead perspective creates a sense of voyeuristic detachment. Kahrs draws on photographic and cinematic source imagery to explore themes of vulnerability, mortality, and the human body reduced to an object of quiet contemplation.