Rudolf Stingel
Rudolf Stingel's self-titled work showcases the artist's masterful manipulation of surface and material, combining oil and metallic enamel in a rich interplay of colors that shimmer and shift across the canvas. The unexpected inclusion of a metal staple challenges traditional notions of painterly finish, blurring the boundary between process and presentation. Stretched over wood strainers, the work draws attention to its own construction, inviting viewers to consider the physicality and labor inherent in the act of painting.
- Medium
- Oil and metallic enamel in colours with metal staple, on canvas stretched over wood strainers,
- Spotted At
- Auction House · Phillips
🔨 Auction Lot
Evening & Day Editions
June 11, 2015
More by Rudolf Stingel
“Zen is about acceptance, right?” Mr. Stingel said. “So that’s the way it is. I do sit and look at him sometimes — we have a meaningful relationship. You can’t get over it. You just live with it.” - Rudolph Stingel
The radicalness of Stingel’s Cellotex panels is often underestimated. While rejecting any suggestion of being a social, political or conceptual gesture, these works may be some of the most open and brave moments in recent contemporary art production. As with his provocative instruction book on how to make his paintings, Stingel once again gives himself and his work, in their totality, to the public and the viewer. He invites the viewer inside the surface of his work, and allows anyone to make a 'contribution' to it. The critical voice of the viewer becomes part of the work. Like magnetic tape, the artist records the viewer’s reaction to his work – not simply verbally, but physically.
Untitled
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