Oliver Osborne's three-part work *The Pig* combines oil painting and silkscreen printing on linen, creating a layered interplay between mechanical reproduction and the painterly hand. The triptych format lends the composition a narrative or sequential quality, while the artist's custom frame signals a deliberate attention to how the work exists as a complete, unified object. Osborne's practice often draws on vernacular imagery and graphic culture, and this piece reflects his characteristic blending of pop sensibility with a more intimate, material approach to the painted surface.