Guyton similarly interrogates industrial and mechanical reproduction processes, using commercial technologies to produce objects that question authorship and the boundaries between manufacturing and fine art. His work shares Price's preoccupation with how industrial processes generate aesthetic meaning and commodity value.

Steinbach's sculptural arrangements of mass produced consumer goods directly parallel Price's investigation into how industrial materials and packaging aesthetics carry embedded cultural and economic meaning. Both artists transform ubiquitous commercial objects into conceptual sculpture that critiques consumer culture.

Harrison constructs sculptural works using synthetic industrial and commercial materials that similarly dissolve boundaries between commodity objects and fine art sculpture. Her practice shares Price's interest in neutral tones, manufactured surfaces, and the conceptual weight that industrial fabrication processes bring to contemporary sculptural form.