Two large-format chromogenic prints capture Mike Dicky, a tinsmith, during his lunch break at a Maine paper mill, rendered in Lockhart's characteristically precise and contemplative photographic style. The diptych format invites a slow, measured observation of the worker in repose, transforming a mundane moment of rest into a study of labor, time, and human presence. Lockhart's meticulous attention to light and composition elevates the everyday scene into a quietly monumental portrait of American working-class life.