The work consists of seven LightJet prints produced on Fuji archival grade paper, presenting a serialized visual sequence that reflects Faldbakken's interest in subversion, institutional critique, and the aesthetics of refusal. The repetition inherent in the seven-part format suggests a systematic or procedural approach, inviting the viewer to consider subtle variations and tensions across the individual prints. Faldbakken's practice often engages with counterculture and the boundaries of language and image, lending the work an understated yet charged conceptual weight.