Holzer similarly uses text as a primary artistic medium to challenge social and political norms, embedding provocative language within visual contexts to question power structures and emotional experience.

Rosler shares Kruger's feminist conceptual approach and use of photography combined with text to interrogate media representations of women and the construction of cultural meaning in the 1970s.

Sherman's photographic work critically examines visual culture, identity, and emotional representation through a feminist lens, engaging deeply with how images construct and manipulate meaning around gender and feeling.