Serra similarly works with large scale industrial steel to create bold abstract three dimensional sculptures that emphasize raw material presence and physical weight. His work shares Chamberlain's commitment to steel as both medium and subject within American abstract sculpture.

Di Suvero constructs monumental abstract sculptures from industrial steel and metal elements that echo Chamberlain's bold manipulation of hard industrial materials into expressive abstract forms. Both artists transform utilitarian metal into dynamic contemporary sculpture with a strong physical presence.

Caro pioneered the use of painted and unpainted steel in abstract sculpture, assembling industrial metal components into works that share Chamberlain's emphasis on color, chromatic surface treatment and abstract form. His steel sculptures parallel Noogatory's fusion of industrial material with painterly surface qualities.