Twombly's printmaking practice shares Lee Ufan's restrained mark making and meditative minimalism, using lithography and etching to create spare, gestural works where negative space carries as much weight as the mark itself.

Sugimoto works within a similar East Asian minimalist tradition, creating works of extreme reduction and quiet contemplation where subtle tonal gradations and emptiness become the primary subject, echoing the restrained sensibility of these lithographs.

Ryman's lifelong investigation into surface, material, and reductive mark making on paper closely parallels the quiet material sensitivity of these lithographs, where the texture of BFK Rives paper and the subtlety of drypoint become central aesthetic concerns.