
Les Escaliers à Montmartre
Brassaï's gelatin silver print captures the atmospheric stairways of Montmartre, bathed in the moody nocturnal light for which the Hungarian-French photographer became celebrated. The wet cobblestones and winding steps seem to disappear into a velvety darkness, evoking the mysterious, romantic underbelly of Paris that Brassaï immortalized throughout his career. Printed in the late 1940s or early 1950s, this work exemplifies his masterful use of shadow and light to transform ordinary urban architecture into something deeply poetic and cinematic.
- Medium
- Gelatin silver print, printed late 1940s or early 1950s.
- Location
- Phillips, Salt Lake City, UT
- Spotted At
- Auction House · PhillipsView on map
🔨 Auction Lot
The Odyssey of Collecting: Photographs from Joy of Giving Something Foundation
October 3, 2017
More by Brassaï (Gyula Halász)
Artists in conversation

Eugène Atget
French · b. 1857

Atget photographed the streets, stairways, and quiet corners of Paris with the same atmospheric melancholy and reverence for urban architecture that defines this Brassaï print. His gelatin silver images of Montmartre and surrounding neighborhoods share the same evocative stillness and transformation of ordinary Parisian spaces into poetic, almost surreal landscapes.

Bill Brandt
British · b. 1904

Brandt mastered nocturnal black and white photography with deep shadows, wet streets, and a moody atmospheric tension that closely mirrors the visual language of this Brassaï stairway image. His nighttime documentary work in urban environments demonstrates the same dramatic contrast between velvety darkness and carefully placed light sources on glistening surfaces.

Willy Ronis
French · b. 1910

Ronis spent decades photographing the working class neighborhoods of Paris including Montmartre with gelatin silver prints that capture the same romantic and atmospheric quality of winding cobblestone streets and intimate urban architecture. His sensitivity to light, shadow, and the poetic character of everyday Parisian life closely aligns with the mood and subject matter of this particular Brassaï work.
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