Whistler created celebrated etching series depicting Venetian architecture including the Doge's Palace itself, using fine intaglio techniques to capture the luminous interplay of light on ornate facades along the canals. His monochrome printmaking approach and sensitivity to architectural grandeur in Venice directly parallels Cameron's treatment of this subject.

Brangwyn was a prolific etcher and drypoint artist who frequently depicted grand European architectural monuments with dramatic tonal contrasts and richly worked surfaces, much like Cameron's approach to the Doge's Palace. His early modern printmaking style shares the same emphasis on ornate structural detail rendered in monochrome intaglio techniques.

Haig specialized in highly detailed architectural etchings of grand historical buildings, capturing intricate decorative facades and the atmospheric quality of light falling across stone and ornamental surfaces. His meticulous printmaking approach to monumental European architecture closely mirrors Cameron's careful rendering of the Doge's Palace in etching and drypoint.