This minimalist work features three elongated, pointed forms rendered in varying shades of green against a pale lavender background. The composition demonstrates a refined exploration of spatial relationships through delicate line work and subtle color gradation. Created in 1966, the piece exemplifies the Spatialism movement's preoccupation with puncturing and dividing pictorial space. The narrow, blade-like shapes appear to pierce the paper's surface, creating a sense of dimensional depth and tension. This work represents a key moment in postwar European abstraction's dialogue between materiality and immateriality.