Antony Gormley

Serra similarly created monumental steel sculptures that engage with space and the human body's experience within it, sharing Gormley's interest in how large scale forms transform physical environments.

Segal produced cast figurative sculptures placed in public and gallery spaces, exploring human presence and absence through the body in ways that closely parallel Gormley's preoccupations.

Muñoz created large scale figurative installations that meditate on the human form, solitude, and spatial relationships, sharing Gormley's conceptual use of repeated or isolated figures to evoke psychological and existential states.

Giacometti's elongated and existentially charged figurative sculptures profoundly shaped Gormley's approach to the body as a site of vulnerability and philosophical inquiry.

Brancusi's reduction of the human form to essential abstract shapes influenced Gormley's development of simplified, concentrated figurative volumes that balance figuration with abstraction.

Beuys's use of the body as a political and spiritual medium and his expansion of sculpture into social and conceptual territory strongly informed Gormley's thinking about art's role in public space and human experience.

Shawcross has cited Gormley as a formative influence on his own practice of large scale sculptural installations that engage with space, geometry, and the human condition in the British contemporary tradition.