Winogrand similarly merged street photography with fashion and urban energy, shooting for magazines including Vogue while capturing the chaotic vitality of New York City with bold, dynamic compositions that blur the line between documentary and fashion imagery.

Newton shared Klein's approach of placing fashion subjects within raw, energetic urban environments, creating photographs for Vogue and other publications that combined high fashion with street level tension and bold visual drama.

Leiter worked extensively in color street and fashion photography in New York during the same era as Klein, producing chromogenic prints that captured urban scenes with vivid color, movement, and a documentary sensibility rooted in the streets of the city.