Valentin Carron's sculptural work presents a material contradiction at its core, evoking the weight and darkness of industrial substances through the deceptively lightweight combination of polystyrene and fibreglass coated in acrylic resin, paint, and varnish. The title's evocative recipe — ground coal, honey, and water — conjures a viscous, elemental femininity that contrasts with the work's fabricated, synthetic construction. Carron's practice of simulating one material reality through another invites reflection on authenticity, craft, and the gap between appearance and substance.