Join The Collection to save, track, and explore works like this.

Art Institute of Chicago

Spotted

Timothy O'Sullivan (American, born Ireland, 1840–1882) — Lost Lakes, head of Conejos Cañon, Colorado, in the Sierra San Juan range, near divide between Conejos and south fork of Alamosa Rivers, surrounded by forest of Douglass spruce, and approximately 11.000 feel above sea-level, No. 37 from the series "Geographical Explorations and Surveys West of the 100th Meridian"

Timothy O'Sullivan (American, born Ireland, 1840–1882)

Lost Lakes, head of Conejos Cañon, Colorado, in the Sierra San Juan range, near divide between Conejos and south fork of Alamosa Rivers, surrounded by forest of Douglass spruce, and approximately 11.000 feel above sea-level, No. 37 from the series "Geographical Explorations and Surveys West of the 100th Meridian"

1874

Remote alpine lakes like these required grueling expeditions to reach and photograph, making this stereo view a remarkable achievement in 19th-century landscape documentation.

Medium
Albumen print, stereo

Start the Discussion

Request access to join the discussion

Spotted works by Timothy O'Sullivan (American, born Ireland, 1840–1882)

About this work

Timothy O'Sullivan (American, born Ireland, 1840–1882), Lost Lakes, head of Conejos Cañon, Colorado, in the Sierra San Juan range, near divide between Conejos and south fork of Alamosa Rivers, surrounded by forest of Douglass spruce, and approximately 11.000 feel above sea-level, No. 37 from the series "Geographical Explorations and Surveys West of the 100th Meridian", 1874

Remote alpine lakes like these required grueling expeditions to reach and photograph, making this stereo view a remarkable achievement in 19th-century landscape documentation.

Medium
Albumen print, stereo
Year
1874
Seen at
Art Institute of Chicago, Chicago, IL

Related themes

Nineteenth Century, Monochrome, Albumen Print, Serene, Forest, Documentary, American, Landscape, Mountain, Geographic

More works by Timothy O'Sullivan (American, born Ireland, 1840–1882)

Collected by

Art Institute of Chicago