Thomas Demand's "Zaun (Fence)" exemplifies the artist's practice of photographing meticulously constructed paper and cardboard models, which he then translates into large-scale dye destruction prints. The work continues Demand's investigation into how photographic representation can obscure the distinction between the constructed and the real, presenting a quotidian subject with an almost hyperreal clarity. By face mounting and mounting the dye destruction print, Demand emphasizes the material presence of the photograph itself, creating a visual experience that oscillates between documentary precision and staged artificiality.