Robert Delaunay co-developed the simultaneous contrast theory alongside Sonia and created bold geometric abstractions built entirely around vibrant color relationships, making his work nearly identical in spirit and visual language to this piece.

Albers dedicated his practice to the scientific and perceptual study of color interaction through geometric forms, sharing the same avant-garde modernist commitment to color as a primary compositional force seen in this work.

Léger worked within the same French modernist and avant-garde circles, composing bold geometric abstract works that use flat planes of contrasting color to create dynamic visual rhythm, closely echoing the compositional energy of this piece.