Rudolf Stingel has spent the past three decades exploring the boundaries of painting, pattern and design through his experimentation with surface and materiality. Rendered in opulent gold,
2014
Rudolf Stingel's oil and enamel on canvas is rendered in opulent gold, showcasing his decades-long exploration of painting, pattern, and design through a masterful engagement with surface and materiality. The work's lustrous, richly textured surface challenges conventional boundaries between fine art and decorative craft, inviting viewers to reconsider the nature of painting itself. Stingel's meticulous attention to finish and form transforms the canvas into a shimmering, almost tactile experience that blurs the line between abstraction and ornamentation.
- Medium
- oil and enamel on canvas
- Spotted At
- Auction House · Phillips
🔨 Auction Lot
20th Century & Contemporary Art Evening Sale
May 18, 2017
More by Rudolf Stingel
styrofoam, 4 panels
“Zen is about acceptance, right?” Mr. Stingel said. “So that’s the way it is. I do sit and look at him sometimes — we have a meaningful relationship. You can’t get over it. You just live with it.” - Rudolph Stingel
The radicalness of Stingel’s Cellotex panels is often underestimated. While rejecting any suggestion of being a social, political or conceptual gesture, these works may be some of the most open and brave moments in recent contemporary art production. As with his provocative instruction book on how to make his paintings, Stingel once again gives himself and his work, in their totality, to the public and the viewer. He invites the viewer inside the surface of his work, and allows anyone to make a 'contribution' to it. The critical voice of the viewer becomes part of the work. Like magnetic tape, the artist records the viewer’s reaction to his work – not simply verbally, but physically.
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