This triptych of Ektacolor photographs by Richard Prince presents rephotographed advertising imagery—pens, watches, and models—stripped of their original commercial context and reframed as fine art. Working from his experience in the tear-sheets department of a magazine, Prince appropriated the seductive visual language of consumer culture, challenging traditional notions of authorship and originality. The work stands as a foundational example of Pictures Generation appropriation art, interrogating the boundary between advertising and artistic subject matter.