A rough-hewn assemblage of wood, polystyrene, and cement forms an ungainly, totemic structure that seems to simultaneously evoke and undermine the grandeur of public monuments. The jutting toy gun disrupts any sense of stability or authority, injecting an element of absurdist humor into the work's otherwise imposing physicality. Harrison's layered use of materials—both industrial and playful—collapses the distance between political theater and everyday spectacle.