Rachel Feinstein's *Crucifixion* brings together enamel paint, plaster, fabric, resin, and plywood to create a work that merges the sacred and the theatrical in her signature maximalist style. The layering of industrial and decorative materials evokes a sense of baroque excess, collapsing the boundary between devotional imagery and contemporary artifice. Feinstein transforms a classical religious subject into something both seductive and unsettling, charged with a tension between reverence and spectacle.