Paul Pfeiffer's *24 Landscapes* is a series of 24 chromogenic prints that examines the intersection of mass spectacle and erasure, digitally removing the athletes and crowds from iconic sporting arenas to reveal vast, eerily empty stadiums. The work transforms these charged spaces of collective experience into haunting architectural voids, questioning the nature of presence and absence in contemporary visual culture. Through meticulous digital manipulation, Pfeiffer strips away the human element to expose the underlying structures that frame and mediate modern spectacle.