Paul Pfeiffer's "Four Horsemen of the Apocalypse, No. 18" is a chromogenic print that demonstrates the artist's characteristic practice of appropriating and manipulating images from popular culture and mass media. The work engages with both biblical iconography and contemporary visual sources, transforming them through Pfeiffer's digital and photographic techniques. Mounted as a chromogenic print, the work exemplifies Pfeiffer's exploration of how apocalyptic imagery circulates and is reimagined within contemporary visual culture.