Twombly similarly merged writing and painting through gestural pencil and oil markings on canvas, creating works that blur the boundary between calligraphic inscription and abstract expression with a comparable monochromatic sensibility.

As a fellow Korean Dansaekhwa artist, Lee Ufan shares Park Seo-Bo's commitment to repetitive gestural mark-making and monochrome restraint, exploring the meditative relationship between the artist's hand and the canvas surface.

Marden's work integrates calligraphic line work with oil on canvas in a gestural yet disciplined manner, echoing the same fusion of Eastern writing traditions and Western abstract painting that defines this specific Écriture piece.