Maxime Du Camp
Ibsamboul, Sculptures de l'Entrée du Spéos de Phrè, Nubie, plate 105 from the album "Egypte, Nubie, Palestine et Syrie" (1852)
1849
Focusing on the monumental entrance sculptures of Abu Simbel, this photograph demonstrates Du Camp's eye for architectural detail and his pioneering role in archaeological photography. The salted paper process lends a warm tonality that emphasizes the weathered texture of the ancient stone carvings.
- Medium
- Salted paper print
More by Maxime Du Camp
Louqsor, Groupe de Colonnes dans le Palais; Thèbes, plate 26 from the album "Egypte, Nubie, Palestine et Syrie" (1852)
1849
Temple de Kardassy, Nubie, plate 87 from the album "Egypte, Nubie, Palestine et Syrie" (1852)
1849
Temple d'Hermontis, Haute-Egypte, plate 63 from the album "Egypte, Nubie, Palestine et Syrie" (1852)
1849
Spotted works by Maxime Du Camp
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