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Cleveland Museum of Art

Spotted

Max Klinger — Intermezzo: Moonlit Night (Opus IV, 5)
Max Klinger

Intermezzo: Moonlit Night (Opus IV, 5)

1881

This etching and aquatint on chine collé exemplifies Klinger's mastery of printmaking techniques, particularly his sophisticated use of aquatint to create atmospheric effects and tonal depth. The work demonstrates the Symbolist aesthetic that characterized much of Klinger's career, likely featuring nocturnal imagery that evokes mood and psychological introspection. As part of his larger Opus series, this print represents the artist's systematic exploration of graphic media and his contribution to the revival of printmaking as a serious fine art form in late 19th century Europe.

Medium
etching and aquatint on chine collé

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Spotted works by Max Klinger

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Max Klinger, Intermezzo: Moonlit Night (Opus IV, 5), 1881

This etching and aquatint on chine collé exemplifies Klinger's mastery of printmaking techniques, particularly his sophisticated use of aquatint to create atmospheric effects and tonal depth. The work demonstrates the Symbolist aesthetic that characterized much of Klinger's career, likely featuring nocturnal imagery that evokes mood and psychological introspection. As part of his larger Opus series, this print represents the artist's systematic exploration of graphic media and his contribution to the revival of printmaking as a serious fine art form in late 19th century Europe.

Medium
etching and aquatint on chine collé
Year
1881
Seen at
Cleveland Museum of Art, Cleveland, OH

Related themes

Nocturnal Landscape, German Artist, Dreamlike Atmosphere, 19th Century, Etching, Nature Subject, Moonlit aesthetics, Print Medium, Symbolism, Romantic Mood

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Collected by

Cleveland Museum of Art