Kosuth's text based conceptual prints and multiples share Broodthaers' interest in language as art object and the institutional framing of meaning, producing numbered editions that interrogate representation itself.

Ruscha's screenprints combining deadpan text with everyday imagery echo the playful yet conceptually rigorous approach Broodthaers brings to farm animals and printed multiples distributed through artist editions.

Staeck, who actually published this very edition through Edition Staeck Heidelberg, creates monochrome text based screenprint multiples with whimsical political wit that directly parallels the conceptual print language Broodthaers employed here.